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			Subject 
			Secular. Romance. Courtly love. 
		       
		    
		    
		    
                      
		      
			
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			 Wraxall, Tyntesfield (property of the National Trust) 
		      
                      
		      
			S/n 
		      
                    
		     
                      
		      
                      
		      
                      
		      
                     
		     
                      
		      
			 Fabric (later);metal (later fittings);ivory;wood (core) 
		      
                      
                      
		      
			Height: 133mm Width: 203mm Depth: 140mm 
		      
                      
                    
		     
                      
		      
			 Story of the Swan Knight (Chevalier au Cygne). 
Lid 
Register 1: King Oriant with Queen Beatrix and Matabrune. The King and Queen in bed. The King notices the Queen is pregnant. Matabrune takes away all seven babies while the Queen is asleep. 
Register 2: Matabrune gives the babies to Markes to have them put to death. Matabrune throws into a well a bitch who gave birth to seven puppies. She brings the puppies to the King and introduces them to him as his newborn babies. Instead of killing the babies, Markes abandons them in a forest. 
Register 3: The Queen is thrown into prison. A hermit finds the babies. The servant Malquarrés discovers the children, while a doe feeds them. Malquarrés tells Matabrune that the children are alive. 
Body, front 
Register 1: Malquarrés removes the silver chains from around the children's necks. The children turn into swans. Matabrune congratulates Malquarrés. Matabrune asks the King to have the Queen burnt. 
Register 2: The Queen kneeling with a soldier behind her. The King enthroned; Matabrune; soldier. An angel appears to the hermit and Elyas, the only child who escaped from Malquarrés. The hermit and child go to see the King. 
End, left 
Register 1: the Queen and Matabrune present to the King, Elyas and Malquarrés as their champions. Elyas and Malquarrés fighting.  
Register 2: Elyas kills Malquarrés (beheading of Malquarrés). Matabrune flees. 
Body, back 
Register 1: Elyas brings the head of Malquarrés to the King. Reconciliation of the King and Queen. The King embracing Elyas. Elyas kneeling before the King. 
Register 2: the army marches against Matabrune; soldiers. Siege of the castle. Capture of Matabrune. 
End, right 
Register 1: Elyas tells the whole story to his mother, the Queen. Matabrune is burnt alive. 
Register 2: the King and Queen watch Elyas leave on a ship drawn by a swan. 
		      
                      
                      
		      
			 
			Koechlin Number: 1310bis 
		      
                    
		     
                      
		      
			   Gibbs 1868: 14th century. 
Koechlin 1924: France, late 14th century. 
Egbert 1929: North Italy, mid 15th century. 
		      
		     
                      
		     
		    
		       
		     
		    
		      
		      
			
			  Attribution 
			  Unknown
			 
		      
		      
		      
                      
		      
                      
                      
		      
			
			  Reverse 
			  Carved on all sides.
			 
		      
                      
                      
		      
                      
                      
		      
                      
                      
		      
			
			  Provenance 
			  In the 18th century: collection of the Crawley-Boeveys family, Baronets, of Flaxley Abbey, co. Gloucester (mentioned in 1793 in a letter from the antiquary Dallaway to Sir Thomas Crawley, published by Gibbs, p. ix). Collection of William Gibbs, Tyntesfield, co. Somerset (in 1868); collection of Colonel George Gibbs (in 1923); remained at Tyntesfield, which now belongs to the National Trust.
			 
		      
                      
                      
		      
			
			  Bibliography 
			  The Romance of the Chevelere Assigne, ed. by H. H. Gibbs (London: Early English Texts Society, Extra Series, no. 6, 1868), pp. vii-ix. 
Catalogue of an Exhibition of Carvings in Ivory, exhibition catalogue, London, Burlington Fine Arts Club, 1923, no. 141, pl. XXXIX. 
R. Koechlin, Les Ivoires gothiques français (Paris, 1924), I, pp. 516, 522; II, no. 1310bis; III, pl. CCXXVII. 
D. D. Egbert, 'North Italian Gothic Ivories in the Museo Cristiano of the Vatican Library', in Art Studies, 7 (1929), pp. 168-207 (p. 202, fig. 64).
			 
		      
		     
		     
		    
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