Westwood 1876: England, late 15th century.
Koechlin 1924: France, late 15th century.
Gaborit-Chopin 2003 and Museum's opinion 2010: Flanders or Netherlands, 2nd third of the 15th century.
Attribution
Unknown
Polychromy - Gilding
Traces of gilding and polychromy (reapplied, green, red. See unpublished report by B. Guineau, 1997).
Reverse
Engraved on all sides.
On base, labelled: 'N 1072', '910', 'A. 79'.
Object Condition
Crack near the lock.
Five rings for hanging.
Provenance
Collection of Pierre Révoil, Lyon (no. 72); acquired from him by the Museum in 1828.
Bibliography
M. de Laborde, Notice des émaux, bijoux et objets divers exposés dans les galeries du musée du Louvre (Paris, 1857), no. 910.
A. Sauzay, Musée de la Renaissance [Musée du Louvre]. Notice des ivoires (Paris, 1863), no. 79.
J. O. Westwood, Fictile Ivories in the South Kensington Museum (London, 1876), no. 717-721 ('58.247).
E. Molinier, Musée National du Louvre. Catalogue des ivoires (Paris, 1896), no. 131.
J. von Schlosser, Die Werkstatt der Embriachi in Venedig, in Jahrbuch der kunsthistorischen Sammlungen des Allerhöchsten Kaiserhauses, 20 (1899), no. 82, p. 253, fig. 18.
R. Koechlin, Les Ivoires gothiques français (Paris, 1924), I, pp. 428, 527; II, no. 1317; III, pl. CCXXIX-CCXXX.
D. Gaborit-Chopin, Ivoires médiévaux, Ve-XVe siècle (Paris: Musée du Louvre, 2003), no. 252.
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