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Gabled polyptych (tabernacle) (Front)

Gabled polyptych (tabernacle) (Front)
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Subject
Religious. Life of the Virgin. Infancy of Christ.

Repository Institution
www.metmuseum.org

To purchase an image
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New York, Metropolitan Museum of Art

17.190.174

Ivory;metal (hinges)

Height: 109mm
Width: 111mm
Depth: 14mm (open)

Wings, left
Register 1: Visitation. Annunciation; vase of lilies.
Register 2: Adoring Magi (part of the Adoration of the Magi).
Centre panel
Standing Virgin and Child; Virgin holding a stem of flowers in her right hand; Christ seated on the Virgin's left arm; Christ holding a fruit in his left hand; brooch.
Wings, right
Register 1: Nativity; Virgin holding the swaddled child.
Register 2: Presentation in the Temple; Virgin holding Christ.


Koechlin Number: 0149

Molinier 1904: France, 14th century.
Koechlin 1924: France, beginning of the 2nd third of the 14th century.
Egbert (after museum's opinion) 1929: Northern Italy, c. 1325.
Morey 1939: Italy.
Museum's opinion 2011: France or Italy, 14th century.


Attribution
Unknown

Hinges
Two sets of two hinges on either side (several broken and repaired).

Object Condition
Missing: upper part of the gable on the innermost left and right wings; lower left corner of the centre panel.
Broken around the outer right hinge.

Provenance
Collection of Baron Albert Oppenheim, Cologne: sale 1906; collection of J. Pierpont Morgan (d. 1913), London and New York; estate of J. Pierpont Morgan (1913-1917); gift of J. Pierpont Morgan, 1917.

Bibliography
E. Molinier, Collection du Baron Albert Oppenheim, tableaux et objets d'art (Paris, 1904), no. 76.
R. Koechlin, 'Quelques ateliers d'ivoiriers français aux XIII et XIVe siècles. II. L'atelier des tabernacles de la Vierge', in Gazette des Beaux-Arts, 34 (1905), pp. 453-471.
A. Maskell, Ivories (Connoisseurs Library), (London, 1905), pl. XXXIII-XXXIV.
R. Koechlin, Les Ivoires gothiques français (Paris, 1924), I, pp. 126-127, 133; II, no. 149.
D. D. Egbert, 'North Italian Gothic Ivories in the Museo Cristiano of the Vatican Library', in Art Studies 7 (1929), pp. 168-207 (p. 189, fig. 37).
C. R. Morey, 'Italian Gothic Ivories', in Medieval Studies in Memory of A. Kingsley Porter (Cambridge, Mss., 1939), I, p. 193, no. XIX, fig. 16.


Image

Image © The Metropolitan Museum of Art. Photograph by Thomas Vinton, Medieval Art and The Cloisters.

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