Gothic Ivories Project | Diptych, 2 registers, 4 arches across (frise d'arcatures) (Back)

Wing, left
Register 1: Raising of Lazarus; Martha and Mary, his sisters; Lazarus, wrapped in a shroud, emerges from the tomb. Entry into Jerusalem; foal of the she-ass.
Register 2: Crucifixion with the Virgin and saint John the Evangelist. Deposition with the Virgin holding Christ's arm; Joseph of Arimathea holding Christ's body; man with pincers removing the nail from Christ's feet; saint John the Evangelist.
Wing, right
Register 1: Betrayal (Taking of Christ; Kiss of Judas); Christ restores Malchus' ear, cut by saint Peter. Death of Judas (Judas hanging); tree.
Register 2: Three Holy Women at the Tomb, with angel seated on the tomb and three soldiers asleep. Last Judgement with Resurrection of the Dead (Christ in Glory); angels holding Instruments of the Passion (nails); Virgin Mary and saint John the Baptist kneeling.
Beaded border on three sides.

Attribution
Unknown

Hinges
Two hinges.

Polychromy - Gilding
Extensive gilding and polychromy (later): gold (architectural details: arches and beads; hair and beards; throne; spears, etc.), blue (background), red (spandrels; blood; lips), green (spandrels; tomb; lining of garments), brown (hair).

Reverse
Flat and smooth. Scratches, traces of glue.

Object Condition
Discolouration on the back.

Provenance
Monastery of Muri, Switzerland; at the suppression of the monastery in 1841, brought by the monks to the Benediktiner-Kollegium Sarnen, part of the Muri-Gries monastery, successor of Muri.

Bibliography
G. German, Der Bezirk Muri. Die Kunstdenkmäler des Kantons Aargau, Vol. V (Die Kunstdenkmäler der Schweiz, vol. 55; Basel, 1967), p. 438 (with ill.).
B. Meier, Das Kloster Muri, Geschichte und Gegenwart der Benediktinerabtei (Baden, 2011).

All images on this website are made available exclusively for scholarly and educational purposes and may not be used commercially.