Inv. 37923
		      
                    
		     
                      
		      
                      
		      
                      
		      
                    
		    Museum's opinion 2013: Italian, 15th century.
		      
		     
                      
		    
		      
		      
			
			  Attribution
			  Unknown
			
		      
		      
		      
                      
		      
			
			  Polychromy - Gilding
			  Extensive traces of gilding and polychromy: gold (border, hair, background, feathers), green (trees, ground, foliated borders), brown (hair, clothing), red and blue (clothing).
			
		      
                      
                      
		      
			
			  Reverse
			  Engraved on all sides. 
White label with the cancelled inscription: ‘46949’.
			
		      
                      
                      
		      
			
			  Object Condition
			  Missing: numerous panels and strips on the back of the box, the right end and the lid; lower strips all around the casket, and most of the squares of the chequered pattern on the bottom.
			
		      
                      
                      
		      
                      
                      
		      
			
			  Provenance
			  Bequeathed by Martí Estany in 1945.
			
		      
                      
                      
		      
			
			  Bibliography
			  A. Maseres, ‘La collecció d'arquetes de Martí Estany’, Butlletí dels Museus d'Art de Barcelona, VII, 79 (1937), pp. 357-367 (p. 366, fig. p. 361).
La paz y la guerra en la época del Tratado de Tordesillas, ed. by A. Bartolomé Arraiza, exhibition catalogue, Burgos, Monasterio de San Juan, Convento de las Bernardas, 1994, no. 113, p. 157 (S. Rodríguez Bernis).
M. R. Manote, Guia art gòtic (Barcelona, 1998), p. 241, no. 38.
La Musique et les arts figurés en Espagne, ed. by J.-L. Augé, exhibition catalogue, Castres, Musée Goya, 23 June - 8 October 2000, no. 1, pp. 22-23 (J.-L. Augé).
A. Galán y Galindo, ‘Las arquetas de trovadores; canciones, música y amor. Desde Bagdad, a los trovadores medievales, pasando por Córdoba’, Arte, Arqueología e Historia, 18 (2011), pp. 77-106, p. 98.
			
		      
		     
		    All images on this website are made available exclusively for scholarly and educational purposes and may not be used commercially.