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Gabled polyptych, 1 and 2 registers, with arches (tabernacle; colonnettes) (Right side, closed)

Gabled polyptych, 1 and 2 registers, with arches (tabernacle; colonnettes) (Right side, closed)
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Front

Back, closed

Front, closed

Left side, closed

Subject
Religious. Infancy of Christ.

Repository Institution
www.metmuseum.org

To purchase an image
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New York, The Lehman Collection at the Metropolitan Museum of Art

1975.1.1553

Silver (hinges and clasp);ivory

Height: 130 mm (with former central pinnacle)
Width: 131 mm (open)

Wings, left
Register 1: Annunciation; Visitation.
Register 2: Adoring Magi (part of the Adoration of the Magi scene); horses.
Centre panel
Seated Virgin and Child; Virgin holding a fruit in her right hand; Christ seated on the Virgin's left knee; Christ holding a fruit in his left hand; blessing gesture; crown.
Wings, right
Register 1: Nativity; Virgin holding Christ.
Register 2: Presentation in the Temple with Joseph.
Pinnacles; pierced trefoils and roses in the spandrels and gables.


Koechlin Number: 0056

Koechlin 1924: France, 14th century or 19th century (?).
Scholten 2011: Northern France (?), c. 1275-1300.


Attribution
Follower of the Soissons group (Atelier du Diptyque de Soissons)(Koechlin 1924)

Hinges
Two sets of two hinges on either side.

Polychromy - Gilding
Traces of original gilding and polychromy: background, hair, lining of garments.

Reverse
Flat and smooth.

Object Condition
Missing: four pinnacles on top and one in the centre of the roof (it is uncertain whether the pinnacles visible on a photograph from c. 1924 were original or replacements); base; right colonnette (early replacement).
Broken around the upper inner hinge on the right.

Comments
The eyes of the Virgin and of Christ are pierced and filled with a dark substance.

Provenance
Collection of Count Shuvalov (Schuwaloff), Saint Petersburg; Jacques Seligmann & Company, art dealer, Paris and New York; Mrs. Henry Walters, Baltimore; Walters sale, Parke-Bernet Galleries, New York, 1 May 1941, lot 1051; acquired by Robert Lehman from this sale.

Bibliography
R. Koechlin, Les Ivoires gothiques français (Paris, 1924), I, p. 88; II, no. 56.
Songs of Glory, exhibition catalogue, Oklahoma City, Oklahoma Museum of Art, 1985, no. 90.
F. Scholten, The Robert Lehman Collection XII: European Sculpture and Metalwork (New York, 2011), no. 30.
P. Williamson and G. Davies, Medieval Ivory Carvings 1200-1550 (London, 2014), pp. 167-169, in relation to no. 51.


Image

Image © The Metropolitan Museum of Art.

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